Compositions
Works for performance / live repertory
- Sop [2013], for prepared pump organ, tape processes, and transmitters – 12′
- Caper [2011-2013], for variable bellows & electronics – 7′
- Impulses for Elaborated Turbulence (Excised) [2013], for prepared pump organ, three tape processes, transmitters, microphonic oscillator, and plastic tubing – 20′
- Snuck Keel [2013], for prepared pump organ and tape processes – 5′
- Compound Form [2012], for pump organ, two tape processes, transmitters, and acoustic filters – 30′
- Discharge Form [2012], for pump organ and cascading processing – 5′ (variable)
- While Like Teem or Bloom Comes (Tipping) [2012], for prepared pump organ, tape processes, and transmitters – 15′
- Bramble [2012], for prepared pump organ, electronics, and fixed media – 11′
- Snow [2011], for Apiary and electronics – 20′
- (The Flavor of Missing) Mortar [2011], for shruti box, electronics, and acoustic filters – 14′
- Seam [2010], for variable instrumentation – 5′ (variable)
- Labile Form [2010], for variable instrumentation – 10′ (variable)
- (something) into the Stream/(something) in the Stream [2010], for accordion, tape processes, and acoustic filters – 10′
- Mild Grey Lustre [2010], for tape processes and shruti box – 5′
- Brim [2009-2010], for tape processes and variable reeds – 20′ (variable)
- Scour [2009], for tape processes, shruti box, and small objects – 17′ (variable)
- Agate [2009], for tape processes, shruti box and acoustic filters – 10′ (variable)
- Son Form [2009], for tape processes and shruti box – 7′
Works for installation-based performance
- A Vinculum Variation [2013], performed muli-channel inductive mixer table with 8-channel installation, multiple playback devices loaded with selections from the Vinculum archive, accordion, and acoustic filters
- Vinculum (Courses) [Version Baschet] [2011], performed 4-channel installation, parlor organ, prepared shruti box, electronics, and the Baschet Aluminum Piano (1962) – 12′
- Brim [Version Baschet] [arr. 2011], parlor organ, tape processes, and the Baschet Aluminum Piano (1962) – 12′
- Vinculum (Courses) [2011], performed muli-channel inductive mixer table with 8-channel installation, shruti box, tubes, free reeds, accordion, and acoustic filters – 20′
- Vinculum (Coincidence) [2011], for two accordions, multi-channel sound installation (fixed media), and free reeds – 120′
- Copse [2010], performed muli-channel inductive mixer table with 8-channel installation, tape processes, custom electronics, shruti box, pitch pipes, harmonica, and acoustic filters – 40′
Installation work and sculptures
- Vinculum (Passes) [2012], sound exhibition of sculptural work
- Acrylic, aluminum, clay, copper, custom electronics, glass, metal, paper, polystyrene foams, S-1 01.01 020:00, twine [2012]
- BK-1 B1.01 002:25, galvanized steel, F-GS 01.02 030:01, stainless steel, twine [2012]
- F-GS 01.01 007:31, PC-1 04.02 000:22, wood [2012]
- Copse [outdoor installation, 2010], multi-channel installation integrated with glass and light works by sculptor Alex Miller
- Copse [2010], multi-channel installation with wood and lights, integrated with latex and sand works by sculptor Alex Miller
Works for fixed media
- Caper (Pink) [2012] – 4′
- Blueing [2012] – 9′
- Bluing [2012] – 7′
- Fourbound [2010], for dance choreography by Rachel Damon – 15′
- The Pleasance & The Purchase [2010] – 10′
Works for tape
- A Refractive Index of “Seam” with Girls [2012] – 20′
- A Deflective Index [2012] – 20′
- Vinculum (Coincidence): Indexed Conjectures of Coincidence Imprints Once Happened [2012] – 71′
- Pied [2012] – 38′
- Prune [2011] – 30′
Discography (published)
- Compound Form [2013], CD-R, Triple Bath (GR), 99 copies
- Epoxy [2013], cassette tape, Pilgrim Talk (US), 100 copies
- Pied [2013], cassette tape, Notice Recordings (US), 100 copies
- Holes/Tract [2012], CD-R, Consumer Waste (UK), 100 copies
- The Pleasance & The Purchase [2012], 7″ record, Senufo Editions (IT), 200 copies
- Vinculum (Courses) [2011], free MP3, Stasisfield (US)
- Prune [2011], cassette tape, Close/Far (US), 100 copies
Discography (artist editions)
- Coppice Collector’s Gift [2013], 3CD set in handmade leaning vessel of galvanized steel, copper, cork, rubber, and magnets
- Vinculum (Adjacent) [2013], 3CD set in handmade pouch
- Vinculum Specimen Edition [2013], 12CD set in handcrafted box, edition of 5
- Vinculum (Courses) [Version Baschet] [2011], CD-R single, 35 copies
- Vinculum [2010-ongoing], 3CD set in handmade pouch
- Something Else [2010], free download of live radio session
Scores written for Coppice
- windowww [2011], composed by Julia A. Miller
- Amphi-Hodos [2011], composed by Clifton Ingram
Works commissioned and collaborations
- Blue is the Color of Distance [2012], in collaboration with Holly Murkerson – 10′
- God is Represented by the Sea [2012], commissioned by and developed in collaboration with Mark Booth – 180′
Other repertory
- Experimental Music [1975], composed by William Hellermann