Coppice

Compositions

Works for performance / live repertory

• Sop [2013], for prepared pump organ, tape processes, and transmitters – 12′
• Caper [2011-2013], for variable bellows & electronics – 7′
• Impulses for Elaborated Turbulence (Excised) [2013], for prepared pump organ, three tape processes, transmitters, microphonic oscillator, and plastic tubing – 20′
• Snuck Keel [2013], for prepared pump organ and tape processes – 5′
• Compound Form [2012], for pump organ, two tape processes, transmitters, and acoustic filters – 30′
• Discharge Form [2012], for pump organ and cascading processing – 5′ (variable)
• While Like Teem or Bloom Comes (Tipping) [2012], for prepared pump organ, tape processes, and transmitters – 15′
• Bramble [2012], for prepared pump organ, electronics, and fixed media – 11′
• Snow [2011], for Apiary and electronics – 20′
• (The Flavor of Missing) Mortar [2011], for shruti box, electronics, and acoustic filters – 14′
• Seam [2010], for variable instrumentation – 5′ (variable)
• Labile Form [2010], for variable instrumentation – 10′ (variable)
• (something) into the Stream/(something) in the Stream [2010], for accordion, tape processes, and acoustic filters – 10′
• Mild Grey Lustre [2010], for tape processes and shruti box – 5′
• Brim [2009-2010], for tape processes and variable reeds – 20′ (variable)
• Scour [2009], for tape processes, shruti box, and small objects – 17′ (variable)
• Agate [2009], for tape processes, shruti box and acoustic filters – 10′ (variable)
• Son Form [2009], for tape processes and shruti box – 7′

Works for installation-based performance

• A Vinculum Variation [2013], performed muli-channel inductive mixer table with 8-channel installation, multiple playback devices loaded with selections from the Vinculum archive, accordion, and acoustic filters
• Vinculum (Courses) [Version Baschet] [2011], performed 4-channel installation, parlor organ, prepared shruti box, electronics, and the Baschet Aluminum Piano (1962) – 12′
• Brim [Version Baschet] [arr. 2011], parlor organ, tape processes, and the Baschet Aluminum Piano (1962) – 12′
• Vinculum (Courses) [2011], performed muli-channel inductive mixer table with 8-channel installation, shruti box, tubes, free reeds, accordion, and acoustic filters – 20′
• Vinculum (Coincidence) [2011], for two accordions, multi-channel sound installation (fixed media), and free reeds – 120′
• Copse [2010], performed muli-channel inductive mixer table with 8-channel installation, tape processes, custom electronics, shruti box, pitch pipes, harmonica, and acoustic filters – 40′

Installation work and sculptures

Works for fixed media

• Caper (Pink) [2012] – 4′
• Blueing [2012] – 9′
• Bluing [2012] – 7′
• Fourbound [2010], for dance choreography by Rachel Damon – 15′
• The Pleasance & The Purchase [2010] – 10′

Works for tape

Discography (published)

• Compound Form [2013], CD-R, Triple Bath (GR), 99 copies
• Epoxy [2013], cassette tape, Pilgrim Talk (US), 100 copies
• Pied [2013], cassette tape, Notice Recordings (US), 100 copies
• Holes/Tract [2012], CD-R, Consumer Waste (UK), 100 copies
• The Pleasance & The Purchase [2012], 7″ record, Senufo Editions (IT), 200 copies
• Vinculum (Courses) [2011], free MP3, Stasisfield (US)
• Prune [2011], cassette tape, Close/Far (US), 100 copies

Discography (artist editions)

• Coppice Collector’s Gift [2013], 3CD set in handmade leaning vessel of galvanized steel, copper, cork, rubber, and magnets
• Vinculum (Adjacent) [2013], 3CD set in handmade pouch
• Vinculum Specimen Edition [2013], 12CD set in handcrafted box, edition of 5
• Vinculum (Courses) [Version Baschet] [2011], CD-R single, 35 copies
• Vinculum [2010-ongoing], 3CD set in handmade pouch
• Something Else [2010], free download of live radio session

Scores written for Coppice

• windowww [2011], composed by Julia A. Miller
• Amphi-Hodos [2011], composed by Clifton Ingram

Works commissioned and collaborations

• Blue is the Color of Distance [2012], in collaboration with Holly Murkerson – 10′
• God is Represented by the Sea [2012], commissioned by and developed in collaboration with Mark Booth – 180′

Other repertory

• Experimental Music [1975], composed by William Hellermann